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These are explorations, opportunities for a deeper investigation into what it means to be male in our society. As we go on air, I take a beat to explain to Saro, JJ and our audience the framework within which our conversation is going to live.

The conversation is just one in a series addressing the issues facing our community. We are working from the inside-out to improve our understanding of one another to tackle the roadblocks we all face. After all, our community is a family and we are growing, nearly doubling in the last eight years.

As any unit grows, change is inevitable. Decades of growth in our community has allowed for three men to come together, sitting in front of their iPhones discussing the inevitable deconstruction of masculinity as both concept and framework for societal norms.

The way JJ describes his experience grappling with societal expectations placed on him as a young boy ring true for Saro and me. I see Saro nodding, his brain obviously working through his own version of a fairly similar experience. This hits me particularly hard; my own experience of being raised in a borderline chauvinistic Iranian-American household and struggling to accept the box.

And yet, we all agree as queer and gay men, masculinity is something we were taught to strive for, as though it was a medal we got to wear around our necks. As artists, I remind JJ and Saro of their innate responsibility to illuminate their individual experiences and how, as we are deconstructing gender and pronouns, artists are at the forefront of this exploration and uncovering.

It is the most timeless attire. This rethinking, truth be told, cannot be completed without understanding the defense mechanisms we carry with us as men living within our community. As we discuss these pieces of armor, I am reminded of the last circuit party I attended before the pandemic, one where I found myself in a room with only shirtless, white men who looked like they lived inside of a gym.

The version of myself who surfaced in that room, the me that interacted with those strangers, was not one I would ever claim as part of who I am. That person, that fragmented, Picasso-esque version of me is what I was forced to create in order to deafen my imposter syndrome in spaces where no one looked like me. We are quick to agree how shirtless, ripped, cis white gay men serving as representative of the community is detrimental to our goals. She sat alongside Malele at his unveiling wearing an Abaya, the traditional ladies' clothing in Saudi Arabia, as a sign of respect for the customs of the country.

It was another landmark moment for Rullo, who has been smashing the patriarchy that exists in football for many years now. Beginning as a lawyer within sport, she moved into football agency after studying disciplinary cases involving intermediaries. She wanted to protect the interest of players who were being exploited by agents.

Sylvain Deslandes, the Cameroon-born French youth international, was her first client. You deserve to be here. You deserve to be a professional footballer and you need to trust me.